Photograph by Richard Kagan.

Photograph by Richard Kagan.

Vicente Ortiz Cortez

Vicente Ortiz Cortez is a contemporary Mexican artist based in Philadelphia, USA. His work addresses themes of sexuality, identity, and anthropocenic anxieties. His solo shows include Museu da Praia in Alagoas, Brazil, while his group shows include the National Liberty Museum in Philadelphia and the Czong Institute for Contemporary Art in South Korea, among others. A recipient of several awards, he has also been juried into exhibitions by the Curator of Contemporary Art at PAFA Museum, Jodi Throckmorton, and by The Nation’s art critic, Barry Schwabsky. He serves in the Penn State School of Visual Arts Alumni Board, the Gallery Committee at University City Arts League, and at Da Vinci Art Alliance as the Michelle Angela Ortiz Curatorial Fellow. Ortiz Cortez received his BFA from The Pennsylvania State University, and also attended Studio Arts College International (SACI) in Florence, Italy.


+ Artist & LGBTQ+ Statement
Artist Statement
I explore themes of sexuality, identity, and anthropocenic anxieties. My work ranges from small colored pencil drawings to installation and performance art, all of which is influenced by my catholic upbringing in the macho culture of rural Mexico. Through the use of my culture’s vibrant color palette, I bring attention to sociopolitical issues, raising questions about the fate of nature and humanity.

My work in this show comes from a series titled 2084, partly inspired by the dystopian novel 1984. As a kid, I preferred to spend time in the wilderness of the yard around the house, rather than hang out with other kids. This solitude brought me comfort, as it kept me from being forced to play soccer, wrestle, hunt, and any other activities boys in my town were expected to engage in. Now, seeing all the chaos and destruction around the world brings me sorrow. It's hard to imagine a future without the safe space nature offers. At the same time, I believe mother nature has a way of balancing the scales when a species gets out of control. Representing Mother Nature, ominous nipple covered orbs first appeared in my work in 2014. Today, they have a resemblance to images of the coronavirus.

LGBTQ+ Statement
Through the series 2084, I open myself up in the way that coming out freed me. By giving my worries an intimate, physical form, I hope to let go of them. As a kid I was told to hide my emotions. But I believe displays of vulnerability encourage others to open up and seek help when they need it. Visibility is especially vital in the queer community — as it can literally save lives.


 
 

Entresueño

Colored pencil on paper, 9 x 12”, 2019

 
 
 

Atardecer (Sunset)

Colored pencil on paper, 5.5 x 4.25”, 2018

 
 
 

Lluvia Celestial (Heavenly Rain)

Colored pencil on paper, 12 x 9”, 2019

 
 
 

Existo como soy, eso es suficiente (I exist as I am, that is enough)

Colored pencil on paper, 4.25 x 5.5”, 2019

 
 
 

Este, Oeste (East, West)

Colored pencil on paper, 5.5 x 4.25”, 2018

 
 
 

San Vicente Ferrer (Saint Vincent Ferrer)

Colored pencil on paper, 6 x 4”, 2019

 
 
 

Paz Eterna (Eternal Peace)

Colored pencil on paper, 9 x 12”, 2019

 
 
 

Nepenthes

Colored pencil on paper, 4 x 6”, 2019

 
 
 

Little Boy

Colored pencil on paper, 4 x 6”, 2019

 
 
 

Creación Divina (Divine Creation)

Oil, spray, and water based paint on canvas, 56 x 62”, 2014

 
 
 

 
William Way LGBT Community Center1315 Spruce Street, Philadelphia, PA 19107 P: 215-732-2220

William Way LGBT Community Center

1315 Spruce Street, Philadelphia, PA 19107
P: 215-732-2220